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| Julie Agoos: Ghost Story
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| Julie Agoos: Primogeniture
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| Jeannette Allée: little french town
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| Catherine Barnett: The Garden
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| Catherine Barnett: The Glossies
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| Jan Beatty: Red Sugar
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| Jan Beatty: Stray
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| Jessica Bozek: The Leopard Transport
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| Stephen Burt: The Sea as a Losing Season
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| Stephen Burt: Title & Deed
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| Gabrielle Calvocoressi: A Love Supreme
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| Gabrielle Calvocoressi: Prayer in the Name of Saint Thomas Hearns
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| Jeff Chang: One-Way Squirrel
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| Jeff Chang: The Definition of Deer
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| Victoria Chang: Union
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| Victoria Chang: California Plate II
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| Neil de la Flor and Maureen Seaton: The Boat with a Boy's Heart
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| Arkadii Dragomoshchenko: [But, as in anyone's body]
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| Arkadii Dragomoshchenko: [Lime trees spark in the well]
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| Arkadii Dragomoshchenko: [Rumor suits the wind]
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| Arkadii Dragomoshchenko: [Wind falling along the horizon]
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| Elaine Equi: Indian Summer at the Retro Diner
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| Elaine Equi: Echo
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| Anna Journey: Lucifer's Panties at Lowe's Garden Center
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| Anna Journey: Autobiography as Endless Calico
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| Christopher Kang: I Have a Thing to Say about Happiness
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| Christopher Kang: The Night We Called It a Day
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| Christopher Kang: Note to Reader
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| Laura Kasischke: Miss Estrogen
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| Laura Kasischke: Twilight
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| Laura Kasischke: May
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| Laura Kasischke: Poem Ending with Lines from Jarrell
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| Stephanie Lenox: Torturing the Dog
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| Genine Lentine: Molt
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| Jesse Lichtenstein: Proposal Rock
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| Joel Long: Keeping Time
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| Clay Matthews: Elegy for a Boy in a Tree in Flames
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| Karyna McGlynn: Crowning
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| Regina McMorris: Dandelions
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| Tyler Caroline Mills, Gulf Coast Contest Winner, 2006: Nagasaki
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| Tyler Caroline Mills: What Is Left
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| Kirk Nesset: Thing
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| Meghan O'Rourke: The Window at Arles
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| Meghan O'Rourke: Late Mastery
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| Meghan O'Rourke: Pentimento
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| Alexis Orgera: The First Caveman Poet Reminisces from His Library in
Front of a Roaring Fire While His Wife's Away
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| Nate Pritts: The Walls of Our Sphere
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| Eric Rawson: Nota Bene
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| Eric Rawson: The Terrible Whispers of Our Elders
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| Andrew Michael Roberts: Because of You, Wallace Stevens
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| Megan Roberts: Verdigris
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| Megan Roberts: White Nightgown
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| F. Daniel Rzicznek: Fifth Season
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| Tomaž Šalamun: Nobody Was Killed by the Blasts in the Night
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| Tomaž Šalamun: Raymond Roussel's Swan
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| Tomaž Šalamun: Epilogue
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| Maggie Smith: Xenia, 1974
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| Terry Ann Thaxton: Sounds coming through Empty Sky
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| Susan Wood: Fathers and Daughters
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| Susan Wood: Chance
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| East of Amarillo:
Amanda Nowlin-O'Banion sits down with Gail Caldwell
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| The Honest Impulse:
Tiphanie Yanique sits down with Cristina Henríquez
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| History is Intimate:
Amaud Jamaul Johnson sits down with A. Van Jordan
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| Form Forcing Content, a Conversation on Experimental Nonfiction:
Nick Kowalczyk sits down with Ander Monson
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| Police Blotters and Sea Battles:
Elissa Minor Rust's The Prisoner Pear and Nic
Pizzolatto's Between Here and the Yellow Sea
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| Chris Hosea: The Artist as Enigma
Elline Lipkin's The Errant Thread
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| Lilian Crutchfield: Remade by Sight
Lia Purpura's On Looking: Essays
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| Amy Blakemore
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Amy Blakemore's Ephemeral Archives,
an introduction by Michelle White |
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| Airplane (2005). Chromogenic print, 19 x 19 inches. |
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| Jude (2003). Chromogenic print, 19 x 19 inches. |
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| Stag (2005). Chromogenic print, 19 x 19 inches. |
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| Boston Street (2004). Chromogenic print, 19 x 19 inches. |
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| Eli (2005). Chromogenic print, 19 x 19 inches. |
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| Jill in Woods (2005). Chromogenic print, 19 x 19 inches. |
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| Deer and Tepee (2005). Chromogenic print, 19 x 19 inches. |
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| Monument (2005). Chromogenic print, 19 x 19 inches. |
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