 | 
 |
|
|
 |  |
|
|
 | Tana Baldwin: Coastal Lexicon
|
|
|
|
 | Diane Comer: Vinaigrette
|
|
|
|
 | Joshua Harmon: The Annotated Mix-Tape, #2
|
|
|
|
 | Miki Howald: Three Hundred Fifty Ways
|
|
|
|
 | John Medeiros, Gulf Coast Contest Winner, 2005: One Sentence
|
|
|
|
 | Joshua Mohr: Dressing the Dead
|
|
|
|
|
|
 |  |
|
|
 | Robyn Art: Treatment
|
|
|
|
 | Hadara Bar-Nadav: Rumination
|
|
|
|
 | Kristin Bock: Notes from the Boat Docks
|
|
|
|
 | Eric Burger: The Great Poet Makes an Offering
|
|
|
|
 | Trent Busch: Plumb, Level, and Square
|
|
|
|
 | Susanna Childress: Nude Self-Portrait
|
|
|
|
 | Lynn Domina: The First Person of the Trinity
|
|
|
|
 | Denise Duhamel: Moonprint
|
|
|
|
 | Rebecca Dunham: Harem of Saint Marcia
|
|
|
|
 | Cynthia Schwartzerg Edlow: On the Mind Summiting in a Pool of Sweat
|
|
|
|
 | Elizabyth Hiscox: The Pedestal
|
|
|
|
 | Lizzie Hutton: The Suspicion
|
|
|
|
 | A. Van Jordan: Alexander Karelin Loses to Rulon Gardner
(Olympic Games, 2000)
|
|
|
|
 | Lindsey Penelope Lewis: White Room Dendrology
|
|
|
|
 | Lindsey Penelope Lewis: Manitoba Widow Flies
|
|
|
|
 | Paul Muldoon: Alba
|
|
|
|
 | Linnea Ogden: 16 (1) and 16 (2)
|
|
|
|
 | Linnea Ogden: 22 (1) and 22 (2)
|
|
|
|
 | Justin Petropoulos, Gulf Coast Contest Honorable Mention, 2005:
amid the tulip-bulbed confluence of vengeful municipalities
|
|
|
|
 | Rachael Pridgeon: Dry
|
|
|
|
 | Barbara Ras: A Wife Explains Why She Likes the Country
|
|
|
|
 | Barbara Ras: Flora
|
|
|
|
 | Barbara Ras: Moonshine
|
|
|
|
 | Len Roberts: My Father, Setting the Line, Sunny October
|
|
|
|
 | Len Roberts: Considering Aunt Bea's White Toyota Celica
|
|
|
|
 | Anthony Robinson: Second Day of Autumn
|
|
|
|
 | Kate Rosenberg: Are You Goddess Material?
|
|
|
|
 | Tim Ross: Wilderness with Glowing Aperture
|
|
|
|
 | Elizabeth Scanlon: Miss Moore's Parlor Perfect to This Day
|
|
|
|
 | James Shea: Around the World
|
|
|
|
 | Hilary Sideris: Romano Bros. Reglazers
|
|
|
|
 | David Siegel: The Love Doctor
|
|
|
|
 | Clint Spencer: Father Zeus
|
|
|
|
 | Alison Townsend: Trichotillomania Redux
|
|
|
|
 | Alison Townsend: Forty-five This Spring
|
|
|
|
 | Ashley VanDoorn: Fire Whore
|
|
|
|
 | Ellen Wehle: Loft
|
|
|
|
 | Stefi Weisburd, Gulf Coast Contest Honorable Mention, 2005:
Drafting on Robert Hass Writing His Mother's Nipples
|
|
|
|
 | Richard Wollman, Gulf Coast Contest Winner, 2005:
Relativity in America, 1936
|
|
|
|
|
|
 |  |
|
|
 | Remica L. Bingham interviews A. Van Jordan: Blood on the Page
|
|
|
|
 | James Hall interviews Richard Siken: The Poetry of Hostile Witness
|
|
|
|
 | Guiseppe Taurino interviews John Weir: In an Un-deconstructed Way
|
|
|
|
|
|
 |  |
|
|
 | Taking an Ax to Pandrora's Box: Lucy Corin's Everyday Psychokillers:
A History of Girls, a review by Casey Fleming
|
|
|
|
 | Abstraction and Everyday Life: Dobby Gibson's Polar[/s],
a review by Peter B. Hyland
|
|
|
|
 | A Song May Still Emerge From It: Steve Healey's earthling,
a review by Joshua Rivkin
|
|
|
|
 | Torn Apart by Weather and Electricity: Ander Monson's Other
Electricities, a review by Nina Swamidoss McConigley
|
|
|
|
 | The Experience of the Blind in China: Jess Row's The Train to Lo Wu,
a review by Jacob White
|
|
|
|
 | Strangeness for the Sake of Reason: Peter Streckfus's The Cuckoo,
a review by Ilya Kaminsky
|
|
|
|
|
|
 | 
 |
|
|